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To balance out these nutty psychology and whacky artist influences, I have served in a variety of management and executive positions as a creative, dedicated, and proactive self-starter with experience in business, public, and non-profit settings. Along with cultural arts and heritage services, I have worked in and with advertising and marketing; travel, tourism, and public recreation; hospitality, food, & beverage; natural resource management; financial services; and social and human services. Some people view this as someone who can't hold a job. But I know it helped me become an innovative and visionary administrator and has given me a solid sense of what is needed to build a successful organization. |
Community Arts Manager I have spent over 30 years as a community arts groupie with almost half of that time as a hired hand and the rest as a volunteer/participant. I love the unifying impact community arts could have on the common good. I have long been an advocate of using the arts as a tool for community revitalization, which has in more recent times been validated by the work of urban studies theorist Richard Florida in his groundbreaking book, The Rise of the Creative Class. The really great thing about community arts is that it cuts across any boundary you might otherwise want to construct: ethnic, religious, socio-economic, political affiliation, psychotherapeutic diagnosis - you get the idea. |
Fiscal management and reporting systems Strategic planning Marketing orientation and strategies Staffing patterns Qualitative and quantitative product/service enhancements and expansion Facility management and development Community outreach and networking |
I have served in executive management positions that required creating, implementing, and/or realigning: |
Theatrical Artist I have been an actor, director, writer, teacher, juggler, and mask-maker in educational, community, and professional settings. In addition to working within the traditions of scripted drama, I have also been extensively trained in and have performed using the spontaneously creative techniques associated with improvisational and interactive theatre. |
The Creative Process With a degree in psychology and theatre, the role of Creativity Guide takes me back to some of my earliest professional roots. While my passion as a theatrical artist lasted for over 35 years, my early years also included intensive work and training in a number of counseling and psychotherapeutic techniques. Not only did I use my theatre training in my counseling work, but I also began to explore and apply my counseling and psychotherapeutic experience to the theatre. More specifically, I researched, explored, and experimented with the creative process as it applied to the performing artist. Just as athletes talk about "getting into a zone", I was looking for ways that performing artists could find and enter their "creative zone". I have adapted this work and broadened its application to a variety of creative endeavors. |
For a glimpse of my more esoteric artistic side, check out my other website at: www.commediadelnuovomondo.com |
I have worked in virtually all aspects of marketing: |
Marketing management & planning Marketing communications Sales (outside sales, retail sales, and trade show selling) Advertising & promotion Customer Service Media relations Event planning & implementation |
Innovative and Visionary Executive Management |
Community Arts Kibitzer |
Because the management of any arts organization must be as creative as the art it manages... |
CONTACT Ted Wilson P.O. Box 87 Paradise, PA 17562 toll-free: 877-729-0054 local: 717-682-6078 ted@artskibitzer.com |